The Poet, II

My body was once a beautiful house of marble,
Kissed to pale rose by the passionate heat of the sun,
Wherein through cunning channels flowed forever
Health-giving crimson blood in steady tides.

My eyes were then quick to see and to welcome beauty,
My lips smiled often with gratified desire,
My hands shook not, but were fit for caress or grapple,
My arms rose and my body moved in strength.

Then not a single line of any poem
Had my hands raped from my brain, but untouched and pure
They abode in the land of distant visions where no man
Heard my voice calling for them at eventide.

My blood lies in great black lakes now, sluggish and frozen,
Or fumes in like some boiling, stinging, poison brew
Till it suddenly stops in a lassitude unspoken,
Or bursts through my pores and covers me with red dew:

My eyes are bleared now and dull with sleepless midnights,
My lips are shrunken purses—their gold is spent,
My hands unsteadily clutch and paw and tremble,
My arms are as strings of macaroni bent.

And as for my chest, ’tis like a leaky air-box
Fixed to some cheap melodeon out of tune,
The bellows creak, the loose and brown keys rattle,
And the music that comes is like a dog’s sick moan.

But in my brain there seethes an adulterous hotchpotch
Of poems clean and disgusting, mad and sage;
And pain, like a dry fire, keeps them ever a-boiling
Till they splash over and blacken some wasted page.

Yes, I am a poet now to be mocked and applauded,
A turnspit that turns and must never taste the meat:
Behold how great I am, but I wait for a greater,
Even Death, who will silence the march of these crippled feet.

—John Gould Fletcher (1886–1950), “The Poet, II,” Fire and Wine, 1913

XXXI

My stiff-spread arms
Break into sudden gesture;
My feet seize upon the rhythm;
My hands drag it upwards:
Thus I create the dance.

I drink of the red bowl of the sunlight:
I swim through seas of rain:
I dig my toes into earth:
I taste the smack of the wind:
I am myself:
I live.

The temples of the gods are forgotten or in ruins:
Professors are still arguing about the past and the future:
I am sick of reading marginal notes on life,
I am weary of following false banners:
I desire nothing more intensely or completely than this present;
There is nothing about me you are more likely to notice than my being:
Let me therefore rejoice silently,
A golden butterfly glancing against an unflecked wall.

—John Gould Fletcher (1886–1950), Irradiations, 1915

March Night

I shook off the house like a hooded cape,
And came out, free, into the March-blown street…
At a lash of the gale, at a sight of the cloud-tattered skies,
As a coat discarded,
I shook off civilization
And became wild,
And my naked soul raced the clouds,
And the flavor of the Earth was fresh and primitive…

—James Oppenheim (1882–1932), War and Laughter, 1916

Veggie soup

peeling this sweet potato
i can smell the earth
i close my eyes and smile
then cry —

when did i get so removed
from the soil, the land
from simplicity —
the family garden
in grade school
my bare feet on warm dirt
i was so happy
there were carrots
and worms
and life
was carefree —

i finish making soup
do the chores
the day was busy
i am tired —
the nights
when there is time
enough leftover
to snuggle into bed
a little early & read
and i can keep
my eyes open
long enough for it —
this is heaven
simple, free, happy
heaven

—Terri Guillemets

Enclosed

Our bodies are meant
for the sun, the rain
the gusty winds
starlight and moon baths
fresh air and seasons —
so why do we trap ourselves
      in indoor cages?

If we can’t hear birds sing
or feel invigorating breezes —
how are we to be refreshed
to heal, to know the world
beyond the borders
      of our bodies?

—Terri Guillemets

Fantastic shores

in bed at night his mind had a ferocious imagination
reality and unreality haunted his turbulent brain
the years ticked, an infinite clock of destiny

searching moonlight for the promise of a future
his reveries of heart were coasting on a fairy’s wing
as the world and universe drifted by fantastic shores

but the sea, work, and women — physical outlets —
were his anchor — something old, hard, and soft

—Terri Guillemets

scrambled blackout poetry created from F. Scott Fitzgerald, The Great Gatsby, 1925, Scribner 2004 trade paperback, pages 98–99

Midlife midriff

Eating a lot of garbage and dessert-obsessive
for several months, I put on a few pounds
      — and more.

Waddling is hell, and fat is a problem for the heart
      — I’m hungry & in pain.

Waist weight is a cruel joke, and age is no help.

—Terri Guillemets

scrambled blackout poetry created from David Sedaris, Me Talk Pretty One Day, 2000, pages 136–139